Items tagged with 'Albany Institute'
A new multimedia exhibit called Wampum World opened at the Albany Institute this past weekend. In it artist Renee Ridgway looks at the role wampum played in this area during the 17th century as Native American and Dutch cultures met and interacted, and how some of those threads carry on today:
"Wampum World is about wampum, which is made from shell. Historically, it had manifold functions for Native Americans in various aspects of their societies and is still considered sacred today. In contrast, Dutch settlers, having recognized the value of wampum for Native Americans, used wampum in exchange with European goods in order to procure beaver pelts, as part of the seventeenth century trade triangle 'beaver, wampum, hoes.' Metal coinage was not readily available in the New World, therefore wampum served as currency. Wampum World visually elucidates this historical exchange system and present day usages of wampum from various perspectives."
Opening this weekend at the Albany Institute: In Motion: The African-American Migration Experience, a traveling exhibit from the Schomburg Center for Research in Black Culture at The New York Public Library.
From the companion website for the exhibit:
[U]ntil recently, people of African descent have not been counted as part of America's migratory tradition. The transatlantic slave trade has created an enduring image of black men and women as transported commodities, and is usually considered the most defining element in the construction of the African Diaspora, but it is centuries of additional movements that have given shape to the nation we know today. This is the story that has not been told.
In Motion: The African-American Migration Experience presents a new interpretation of African-American history, one that focuses on the self-motivated activities of peoples of African descent to remake themselves and their worlds. Of the thirteen defining migrations that formed and transformed African America, only the transatlantic slave trade and the domestic slave trades were coerced, the eleven others were voluntary movements of resourceful and creative men and women, risk-takers in an exploitative and hostile environment. Their survival skills, efficient networks, and dynamic culture enabled them to thrive and spread, and to be at the very core of the settlement and development of the Americas. Their hopeful journeys changed not only their world and the fabric of the African Diaspora but also the Western Hemisphere.
As you might already know, one of the places changed by these migrations of Americans was the city of Albany. A contingent of people from the South -- mainly Mississippi -- moved to Albany during The Great Migration and settled in the South End. (There's now an annual Mississippi Day festival in Lincoln Park.) And it was from there that a group eventually moved out to the Pine Bush and created a new neighborhood, which is now The Rapp Road Community Historic District.
We got a chance to see the In Motion display at the Albany Institute Friday. It's not big, but there are a lot of interesting bits and is worth a look. It's on the museum's top floor, just keep heading up the main stairs. And it's free -- no admission required.
(Though if you're there, you should also check out the recently-opened Captured Moments exhibit.)
The Albany Institute advertises on AOA.
The Albany Institute opens a new exhibit this weekend -- Captured Moments: 170 Years of Photography from the Albany Institute -- that includes a sampling from the museum's extensive collection of photographs. It's on display through May 21.
We got a quick tour of the exhibit Friday as curators were still putting the finishing touches on the displays. The photos cover a wide range of topics, from portraits, to historical scenes, to cityscapes, to interiors, to workplaces, to travel photos. There's even an photo a seemingly badass bowling club from Arbor Hill. (Nobody rolls like the The Maples!)
Doug McCombs, the Albany Institute's chief curator, said the museum has tens of thousands of photos -- dating back to the 1840s, near the beginning of the medium -- and they're probably its most popular collection. Captured Moments is intended sampling of sorts.
"It's a way to show the breadth of our collection," he said.
Here are a handful of photos of from the exhibit...
Check it out: The Albany Institute of History and Art has created an online version of the Capital Region in 50 Objects exhibit, which closed this past spring.
The exhibit is pretty much what it sounds like -- a walk through the area's history using 50 objects as markers. But while it includes some of the prominent stories you'd expect -- like the Erie Canal or Battle of Saratoga -- there are also quirkier items such as the perforated toilet paper invented here and the area's tobogganing craze.
The online exhibit includes quick histories and images in an easy-to-navigate format.
The Albany Institute is also publishing a book about the exhibit:
New York's Capital Region in 50 Objects book's stunning photographs and rich descriptive text make this popular exhibition come alive again. The 112-page, full color publication features a two-page spread for each object, which includes color illustrations and informational text.
It'll be available at the museum gift shop in early December for $18.95.
And there's a teachers' resource for the exhibit with 18 lessons.
Earlier on AOA: The Capital Region in 50 objects
The Hudson Valley Hops event will be back at the Albany Institute April 16. Tickets are $35 ahead / $40 at the door.
The annual event celebrates the history of brewing in the Hudson Valley. This year's it will be marking the 35th anniversary of Newman's Pale Ale, which was once produced by Bill Newman in (what's now known as) the Warehouse District in Albany and played a key role at the beginning of the craft beer boom. (Newman was recently at Davidson Brothers in Glens Falls for the brewing of a new batch of the beer.)
Enjoy a one-time blind taste testing featuring 12 to 15 pale ales from craft brewers up and down the Hudson Valley, from Lake George to Yonkers. Hosted by Steve Barnes of the Times Union's Table Hopping with celebrity judges including Ric Orlando.
The event also includes food from New World, a commemorative glass, and an exhibition of local brewing history.
AIHA advertises on AOA.
The cafe in the storefront of the popular Crisan bakery on Lark Street closed a little more than a year ago.
But now it's back in a new form. And it's joined by New World Catering. And art.
The Albany Institute is hosting a talk by William Kennedy about the intersections of the characters in his books and real Albany places on March 6. Blurbage:
Pulitzer Prize-winning novelist William Kennedy, who uses his hometown of Albany, New York, as the inspiration for his work, will present a slide show of historic Albany scenes that are featured prominently in the novels. He will discuss the ways in which his characters inhabit Albany's buildings and streets.
The event is at 2 pm on Sunday, March 6. It's free with museum admission. (We suspect this will be popular, so showing up a bit early to grab a seat is probably a good idea.)
AIHA advertises on AOA.
William Kennedy and Michael Oatman will be at the Albany Institute this Sunday for a conversation about creativity. Blurbage:
Kennedy, a Pulitzer Prize-winning author, and Oatman, an artist, curator, and professor at Rensselaer Polytechnic Institute, are highly regarded for their creativity and their contributions to the Capital Region's rich art and literary environment. Kennedy and Oatman will talk about the creative process and how they have used the Capital Region as inspiration and basis for their work.
The conversation is connected to the exhibition
The event is Sunday, October 18 at 2 pm. It's free with museum admission -- stop at the front desk to get a ticket.
The Albany Institute advertises on AOA.
What do Nipper, a video game, a steel butterfly and a chamber pot have in common? They're all part of a collection of 50 objects that help tell the story of this area.
The Capital Region in 50 Objects opens on Friday at the Albany Institute of History and Art. The exhibit is inspired by the British Museum's History of the World in 100 Objects and the New York Times' History of New York in 50 objects. The exhibit opens on Friday with a reception at 5:30 pm, and will remain open through April.
Chief curator Doug McCombs says the selection process took about three years. First they surveyed the region's museums and cultural institutions to see what was in the collections that might be appropriate. Next they took public polls through the Times Union to help determine which topics people wanted to see addressed. Finally, they worked with an advisory committee to select 50 subjects and items that would represent those subjects. Among the topics highlighted: the Empire State Plaza, Albany Ale, industry, The Anti-Rent Wars, the Underground Railroad, literature, food, entertainment and broadcasting.
Each object is displayed with a background image that helps to tell its story -- and the images are just as interesting, in some cases even more interesting -- than the objects themselves.
Here's a sneak peek at what you'll see.
Opening this weekend at the Albany Institute of History and Art: Seeing Double: The Anaglyphs of Eric Egas.
Anaglyph? They're stereoscopic images that appear to be 3D when viewed with through special glasses.
In this experiential exhibition, Egas engulfs viewers in situational modalities through the selection and placement of anaglyphs that explore human relationships with nature, the meaning of the absurd, human aggression, and aesthetic impulses. Thirty-five prints, ranging in size of about four square feet, show the range of Egas' career experimenting with the medium. Visitors will explore the exhibition with anaglyph viewers which will allow them to experience the depth and contrast of the photographs.
And, yep, 3D glasses will be provided.
The exhibit opens this Saturday (August 15) and runs through October 25.
Egas, who spends part of the year in Greenville, will be at the Albany Institute September 3 for a talk about his work. And because that's a Thursday, admission to event is free.
The Albany Institute of History and Art has put together an online version of its The Making of the Hudson River School exhibit, which ran in 2013. Blurbage:
[T]his exhibition reveals that much more went into the making of the Hudson River School, such as the influence of European traditions and cultural movements, as well as America's natural environment and commercial spirit. The Hudson River School also emerged alongside the new medium of photography, the new science of geology, and new technologies that transformed travel and inaugurated an industrial revolution. The Hudson River School ultimately helped shape an American identity.
The online exhibit is nicely designed, taking you a series of themes and developments that set the stage for, and then exemplified, the Hudson River School. And it's packed with works of art -- many of them depicting local scenes -- that you can click on to get better view.
One work that caught our eye today in the "Topographical Tradition" section was this above drawing of the Cohoes Falls by a British official Thomas Pownall in the late 1700s. From the description that accompanies the work:
Pownall visited the falls twice, but it was during his second visit, when the river was high, that he encountered its sensational splendor and made his sketch. He recounted "I went a second Time to view these Falls; they were then a most tremendous Object. The Torrent, which came over, filled the whole Space from Side to Side; before it reached the Edge of the Fall it had acquired a Velocity which the Eye could scarce follow; and although at the Fall the Stream tumbled in one great Cataract: yet it did not appear like a Sheet of Water; it was a tumultuous Conglomeration of Waves foaming, and at Intervals bursting into Clouds of Vapour, which fly off in rolling Eddies like the Smoak of great Guns."
The Albany Institute has been steadily expanding its online collections, which are full of maps, drawings, and objects related to Albany-area history and beyond.
The Albany Institute advertises on AOA.
The Hudson Valley Hops event returns to the Albany Institute April 18.
The event will again include regional craft beer and cider tastings, and an opportunity to check out the brewing and distilling items in the museum's collections. Also: Chatham Brewing will be creating an "Albany Institute Ale" exclusively for the event. Blurbage:
While Chatham Brewing has created custom beers for bars and restaurants, this is the first time they are making one for an event. The theme of Hudson Valley Hops inspired them to try to get as close as they can to an all 100% New York State beer. According to [Tom] Crowell, the beer can be described as "a standard ESB [Extra Special/Strong Bitter]" with a nutty sweetness. Albany Institute Ale was made with New York State 2-row pale malt as a base; some Light and Dark Crystal to show off a copper hue and give a slight caramel flavor; and local Columbia County grown hops, including Cascade from Germantown Hop Farm and Nugget from Spring Hill Farm to add a subtle bitterness. Although it is called an extra special bitter, compared to an IPA, this will not be a bitter beer.
There will also be a handful of guest speakers throughout the evening talking about food, brewing, and the history of brewing in this area.
Hudson Valley Hops is Saturday, April 18 from 4-7 pm. Tickets are $35 ahead / $40 at the door.
The Albany Institute advertises on AOA.
"Time for Beverwyck," Beverwyck Breweries, INC. / Albany Institute of History & Art
The Albany Institute is hosting an event this Saturday with Isatou Ceesay, a Gambian woman who created a community-based recycling program. Her story is the subject of One Plastic Bag, a new picture book by author Miranda Paul and Albany-based illustrator Elizabeth Zunon. Paul and Zunon will both be at the event.
Here's a Guardian feature about the program Ceesay and group of women started in Gambia. It's a remarkable story -- they built a recycling program in place where there wasn't even municipal waste collection, and did it in a way that helped provide jobs and income for people.
The Albany Institute event will include a reading and talk, as well as a project for kids to create their own recycled art project -- there are workshops at noon and 3 pm. It's free with museum admission.
Despite out evidence outside to the contrary, it won't be long until spring arrives. (It's true. We checked a calendar.) And along with spring will come baseball.
The Albany Institute is getting an early start on the season (both of them) with a new exhibit called "Triple Play!" It includes a bunch of historical baseball photos, memorabilia, and items from the major leagues and the Capital Region's own rich baseball history.
The exhibit opens this Friday night, February 6. We got a look earlier this week. Here's a quick trip around the bases...
Historical object gawking: We came across this photo of a 19th century stove in the Albany Institute collection. It was made by a Troy company -- Johnson, Geer & Cox -- based on a design by Troy resident Ezra Ripley, probably around 1844. At the time it was advertised as as a "cheap and beautiful article for offices and parlors."
It's a gorgeous object -- as a stove, or even as art. The Google Cultural Institute viewer allows some very close closeups of the details.
From the Albany Institute description:
Cast-iron stovemaking reached its highest level of artistic achievement and technological advances between 1840 and 1870. Stove designers borrowed from architectural and cabinetmakers's design books, bringing Greek, Roman, Gothic, Egyptian, and Rococo revival motifs, along with patriotic symbols and lavish floral designs, in stoves. The technical design of this column parlor stove included a small rectangular firebox to which were connected four vertical flues (or columns). All were connected at the top by a horizontal pipe or second chamber. The increased surface area and greater air circulation of this design enhanced the amount of radiated heat.
Troy and Albany were prominent centers of the stovemaking industry during the 19th century, with hundreds of stove manufacturers trying to stake out a spot in the marketplace over the century.
Sometimes it's easy to romanticize the past and look past its negatives. Sure, there were gorgeous parlor stoves -- but they were often manufactured by people working in terrible conditions. And there are so many things -- in terms of people's rights, technology, and so on -- that are so much better now compared to then (even if there's still room to improve). But objects like this stove were made with a certain flair.
The objects of history can take many forms: artifacts, paintings, sculptures, devices, even blankets.
The Albany Institute opens a new exhibit these weekend that highlights the museum's collection of textiles -- specifically quilts, coverlets, and bed hangings -- from the 18th, 19th, and 20th centuries. And while that might sounds a bit... sedate? ... we were struck during an early peek at the exhibit this week how much the quilts served as a media to communicate ideas, desires, and identity. They were like the Pinterest boards of the 1700s.
Here are a handful of photos from the exhibit, along with a quick Q&A with the institute's chief curator about quilts as social media, the evolution of the bedroom, and why textiles need their rest.
This could bizarre and fun: The author of The Great Abraham Lincoln Pocket Watch Conspiracy will be at the Albany Institute for a talk October 5.
What is this conspiracy, you ask. Let us turn our attention to the blurbage:
Join Albany historian and writer Giacomo Calabria (pen name, Jacopo della Quercia) for a lively talk about his recently published historical novel that is part sci-fi, part action adventure, and part comedy embedded in a narrative based on meticulous research. The result is an outlandish secret history that aligns perfectly with national as well as the city of Albany historical record.
Calabria is an educator and history writer whose work has been featured on the comedy website Cracked.com, BBC America, CNN Money, and the Huffington Post.
The talk at the Albany Institute is at 2 pm on Sunday, October 5. It's free with museum admission.
The Albany Institute advertises on AOA.
There are many ways to look at the long history of Albany and the surrounding region: politically, economically, architecturally, and so on. Craig Gravina and Alan McLeod have chosen to do so through beer-colored lenses.
The two beer scholars -- you might remember them from the Albany Ale Project -- have teamed up to write Upper Hudson Valley Beer, a book about the rich history of brewing in this region and its resurgence over the last few decades. There's a launch party for the book -- with a beer tasting -- at the Albany Institute on September 11.
We bounced a few questions to Gravina this week about the role of beer in Albany's history, the state of the region's beer scene today, and where it might be headed.
Could be fun/interesting: The Hudson Valley Hops event returns to the Albany Institute April 12. Blurbage:
This event is a celebration of the strong history of brewing in Albany and today's craft beer industry. Guests can sample the finest local craft beers, hear talks by beer historians and brewery experts, enjoy tasty food, and take home a commemorative glass. There will also be a special exhibition with artifacts that tell the history of brewing in Albany and the capital region. Historic photographs, advertisements, and packaging from local brewers will be on view for this event. ...
Participating breweries include: Adirondack Brewery, Brewery Ommegang, Brown's Brewing Co., Chatham Brewing, C.H. Evans Brewing, Druthers, and Olde Saratoga Brewing Co.
Guest speakers include: Craig Gravina and Alan McLeod from the Albany Ale Project; Dietrich Gehring from Indian Ladder Farms; Roger Savoy from Homebrew Emporium; and Sam Filler from the Craft Beer Initiative at Empire State Development.
Albany has a long, interesting brewing history. So there's definitely a lot hear about. And, you know, there will also be beer.
The event is from 4-7 pm at the museum on April 12. Tickets are $30 each.
Earlier on AOA: Resurrecting a beer, and part of Albany's history
The Albany Institute advertises on AOA.
image: "Beverwyck Brewing Company Serving Tray" from the collection of the Albany Institute of History and Art
Check it out: The Albany Institute of History and Art has been added to Google's Art Project, an online gallery of works from museums around the world.
The Google project, started in 2011, now includes 53 works from the institute, ranging from old images of Albany to the Hudson River School paintings to photos of objects. The interface for browsing the images is nice -- and the works are available is very high resolution. An example: check out this panorama of the Albany waterfront from around the beginning of the 20th century. You can zoom in to see details very clearly.
Google Art Project currently has collections from 314 museums posted online. Of that group, 92 museums are also available in "museum view" -- it's like StreetView, but inside the museum. Example: The Art Institute of Chicago.
The Albany Institute will eventually be joining that group -- the Google camera was there today.
It's good to know that when Google's army of robots eventually over the world, the art might be saved.
Earlier on AOA: Virtually browsing the Albany Institute's collections
The Albany Institute advertises on AOA.
screengrab from Google Art Project
The Albany Institute shared this photo on Twitter this week -- it's a look up State Street in Albany in 1917, from the Delaware & Hudson Railroad Building. (The institute has a bunch of photos from its collection online.)
We always love to gawk at old photos and this one's no different. Three things about it:
+ Construction of the D&H building (now the SUNY central administration building) spanned from 1914 to 1915. So, in some sense, this view had only existed for about two years when the photo was taken. Because before that, there wasn't a tower from which to take the photo.
+ Look down toward the bottom of the photo, on the left side, near where State Street meets Broadway. See that awning and the restaurant sign? That appears to be right where the awning for Jack's is today. Jack's didn't move to that spot until 1937, but it looks like there was a restaurant there even at the time of this photo.
+ The streetcar tracks are visible on the roads in the photo, and there's a horse-drawn cart on Broadway. But also look closely along the sides of State Street -- yep, cars. (The Model T was about a decade old at this point.) And they're parking along State Street much in the same way they still are almost a century later.
There's a large-format, uncropped version of the photo after the jump.
You live your life as a priest or sculptor. You die. You're preserved, sent off into the afterlife. And there you rest for 3,000 or 2,300 years. Then a decidedly unrestful period. Your effects are split up. You're partially unwrapped to make sure you're not "squishy." You're sold for maybe $100. A steamboat ride to the other side of the planet. Fanfare. Hubbub. Outright mania. Gender confusion. Gawkers. So many school children. An x-ray. Another x-ray. Is that the beginning of understanding? Finally?
To put it another way: the afterlife is complicated.
It's one of themes that emerges from the Albany Institute of History and Art's new exhibit, "The Mystery of the Albany Mummies," which opens this Saturday.
Here's a quick look from a preview Thursday.
The Albany Institute of History and Art has been quietly building an online database of its collections. And this week it publicly announced the catalog is there for the browsing.
Here are a handful of items that caught our eye while browsing...
Opening this Saturday (February 9) at the Albany Institute of History and Art: The Legacy of Currier & Ives, an exhibit that includes 64 prints from the famous 19th century printing and publishing firm. Blurbage:
The exhibition, organized around five themes of Identity, Progress, Home, Success, and Artist, introduces the visitor to the firm of Currier & Ives and illustrates, through interpretive and educational materials, how their imagery became ingrained in the national consciousness. During the seventy-two years that Currier & Ives operated (1834-1907) the firm produced more than 8,000 lithographs. Their colorful prints, which hung in homes and public buildings across America, gave testimony to the events and ideas that shaped national history, its progress, and art. Currier and Ives worked with several prominent artists like Eastman Johnson, Arthur Fitzwilliam Tait, and George Henry Durrie, whose designs are represented in the exhibition along with others.
The story behind the firm Currier and Ives is interesting -- it specialized in identifying images that would be popular and then producing them inexpensively. We bet Nathaniel Currier and James Merritt Ives would have been all over the web if they were operating today (CurrierIvesFeed?).
The Albany Institute exhibit runs through June 15. It could make a pretty good double bill with the also-currently-open Making of the Hudson River School exhibit.
The Albany Institute advertises on AOA.
image: "Awful Conflagration of the Steam Boat Lexington," from the Michele and Donald D'Amour Museum of Fine Arts, Springfield, Massachusetts
The Albany Institute's LEGO Challenge is back this weekend. Blurbage:
Bring friends, family, and colleagues to work together to create beautiful Lego® structures. This year's theme is "On the River." Whether you're creating a boat, a bridge, a house with a water view, or even an underwater creature, let your imagination run wild! Basic Building blocks will be supplied, however, contestants may bring their own.
Last year's event was a lot of fun, and included some really good designs.
The building sessions are Saturday, Sunday, and Monday (Columbus Day). Registration is $20 per team -- teams can include up to four people, of any age. Space is limited, so the institute recommends pre-registeration.
And, of course, if you don't want to compete, you can just go to check out the designs as part of a visit to the museum.
A new exhibit at the Albany Institute of History and Art -- American Impressions: Paintings from the Florence Griswold Museum -- is now open, and there's a reception today (Thursday) from 5-8 pm. From the blurbage:
It is both history and art. The genre is from the turn of the century, complete with all the Yankee charm of New England. And the art is genuinely American, derived from the classic impressionists of Europe and enhanced with authentic Yankee heritage. You might notice the artists' deft use of shadows to accent shapes and dimension, or you might be in awe of the gifted brush techniques, or you might be amazed at the striking use of color -- but nobody has to know any of that to just plain love these beautiful stories told in images.
The exhibit includes 50 paintings from American Impressionists.
The works are on loan from the Florence Griswold Museum in Olde Lyme, Connecticut -- the town was the site of one of art colonies in which American Impressionism simmered around the turn of the 20th century. The Albany Institute and the Griswold Museum have worked out a trade of sorts -- the institute sent the Griswold an exhibit of Hudson Valley art earlier this year, and the Impressionists exhibit is the Grisdwold's side of the trade. It will be on display until January 6.
William Kennedy: The author will be at the Albany Institute Sunday talking about how "how Albany has changed during his lifetime, including downtown, Capitol Hill, Center Square, the advent of the South Mall, the eradication of the Gut, the changes wrought after the decline of the Dan O'Connell / Erastus Corning machine, the leadership of Mayors Tom Whelan and Jerry Jennings, and the role of Nelson Rockefeller in these changes." The talk is at 2 pm. It's $10 / $8 students.
This looks fun: the Albany Institute for History and Art is holding an Albany architecture LEGO challenge November 25-27. From the blurbage:
Take part in the LEGO® Building Challenge and create your own take on Albany's Architecture. The challenge is open to individuals, partners, and teams of all ages (up to four people per team). So grab your family, colleagues, and friends and get building! Basic LEGO®s will be provided, or you can bring your own. Challenge participation is free, but spaces are limited so reservations are recommended. Contact Barbara Collins, Education Coordinator, at firstname.lastname@example.org.
The challenge is limited to 15 teams, and registration is still open. Bonus: AOA Mary will be one of the judges.
The LEGO challenge is part of the museum's annual free gift fair and family festival. Also on the slate: ace local LEGO builder Bill Leue will be working on his re-creation of the historic -- and now demolished -- Trinity Church.
photo: Bill Leue
This could be fun: an exhibit called "Kid Stuff" is opening this weekend at the Albany Institute of History and Art. From the blurbage (link added):
Kid Stuff, an interactive exhibition based on the book by David Hoffman, takes us back to the age of tailfins and vinyl records with more than 40 vintage toys, which reveal a fascinating look at invention and innovation, social history and industrial growth, play and entertainment. Visitors of all ages will be able to see vintage toys with original packaging and promotional material and have the opportunity to play and interact with contemporary versions.
Among the lineup of toys in the exhibit: Mr. Potato Head, Slinky, the Magic Eight Ball, Etch-a-Sketch, Matchbox cars, PEZ, and LEGO.
Speaking of which: the museum is looking for LEGO donations -- it's planning a LEGO building competition for kids.
"Kid Stuff" opens Saturday and runs through March 2012.
photo via Albany Institute
The Graphic Design: Get the Message exhibit at the Albany Institute of History and Art is definitely worth a visit for design nerds, it will also be interesting to anyone who's a critical consumer of media -- or just curious about the images we see every day.
Stay a little while and you'll see it's also about world history, innovation, how far we've come as a country, and how we absorb information...